Roland Albert

Works of Art: Roland Albert

2008-12-01T15:37:00.005-05:00

All works of art by Roland Albert are available at if ART Gallery, 1223 Lincoln Street, Columbia, SC.

Contact Wim Roefs at if-art-gallery@sc.twcbc.com or (803) 255-0068/(803) 238-2351.

Kleiner Stuhl, 2004
Wood, sand, glue
16 1/2 x 6 1/4 x 10 1/4 in.
$ 650

Stuhlkreis, 2006
Wood, sand, glue
30 3/4 x 5 1/2 x 22 3/4 in.
$ 950

Paar, 2003
Wood, sand, glue, 5 ½ x 19 ¼ x 3 ½ in.
$ 650

Kathedrale, 2003
Wood, acrylic paint, screws
39 1/4 x 11 3/4 x 8 1/2 in.
$ 1,350 For additional views
CLICK HERE

Labil, 2002
Wood, burlap, acrylic paint, 4 3/4 x 13 x 2 in., $ 275

Stuhl Nach Rechts, 2008
Wood, sand glue, acrylic paint
25 x 15 1/4 x 2 1/4 in.
$ 650

Leiter I, 2006
Wood, acrylic paint
45 1/4 x 10 1/4 x 4 in.
$ 950

Leiter II, 2006
Wood, acrylic paint
48 x 9/12 x 5 1/2 in.
$ 950

Stuhl Nach Links, 2008
Wood, sand, glue, acrylic paint
31 1/2 x 11 3/4 x 2 1/4 in.
$ 650

Vier Elemente, 2003
Cardboard, plaster, sand, glue
9 x 6 1/4 x 2 1/4 in.
$ 775

Tier 221003/2 (Sich Unwended)
(Animal 221003/2 (Turning Around)), 2002
Glue, sand mix on drawing board
11 x 8 in
$325

Torso 220202/2, 2002
Glue, sand mix on drawing board
11 x 8 in., $325

Torso 230302/3, 2002
Glue, sand mix on drawing board
11 x 8 in., $325

Teir 221003/3 (Tupfeltier)

(Animal 221003/3(Turning Around)), 2002

Glue, sand mix on drawing board

11 x 8 in., $325

Bock (Stool), 2006

Bronze, 1/1

9 x 3 x 3 in., $ 750

if ARTwalk: Salon I & II: December 11- 24, 2008

2008-11-30T15:44:00.000-05:00

For exhibition installation images, click here.

THE SALON I & II

Dec. 11 – 24, 2008

an exhibition at two Columbia, SC, locations:

Gallery 80808/Vista Studios

808 Lady Street

if ART Gallery

1223 Lincoln Street

Reception and ifART Walk: Thursday, Dec. 11, 5 – 10 p.m.

at and between both locations

Opening Hours:

Weekdays, 11 a.m. – 7 p.m.

Saturday, 11 a.m. – 5 p.m.

Sunday, 1 – 5 p.m.

& by appointment

Open Christmas Eve until 7 p.m.

For more information, contact Wim Roefs at if ART:

(803) 255-0068/ (803) 238-2351 – if-art-gallery@sc.twcbc.com

For its December 2008 exhibition, if ART Gallery presents The Salon I & II, an exhibition at two Columbia, SC, locations: if ART Gallery and Gallery 80808/Vista Studios. On Thursday, December 11, 2008, 5 – 10 p.m., if ART will hold opening receptions at both locations. The ifART Walk will be on Lady and Lincoln Streets, between both locations, which are around the corner from each other.

The exhibitions will present art by if ART Gallery artists, installed salon-style at both Gallery 80808 and if ART. Artists in the exhibitions include two new additions to if ART Gallery, Columbia ceramic artist Renee Rouillier and the prominent African-American collage and mixed-media artist Sam Middleton, an 81-year-old expatriate who has lived in the Netherlands since the early 1960s.

Other artists in the exhibition include Karel Appel, Aaron Baldwin, Jeri Burdick, Carl Blair, Lynn Chadwick, Steven Chapp, Stephen Chesley, Corneille, Jeff Donovan, Jacques Doucet, Phil Garrett, Herbert Gentry, Tonya Gregg, Jerry Harris, Bill Jackson, Sjaak Korsten, Peter Lenzo, Sam Middleton, Eric Miller, Dorothy Netherland, Marcelo Novo, Matt Overend, Anna Redwine, Paul Reed, Edward Rice, Silvia Rudolf, Kees Salentijn, Laura Spong, Tom Stanley, Christine Tedesco, Brown Thornton, Leo Twiggs, Bram van Velde, Katie Walker, Mike Williams, David Yaghjian, Paul Yanko and Don Zurlo.

The Line According To: August 29- September 9, 2008

2008-08-20T12:02:00.000-04:00

To view works by Roland Albert in this exhibition click HERE.

if ART

presents at

Gallery 80808/Vista Studios

808 Lady St., Columbia, S.C.

THE LINE ACCORDING TO

Roland Albert – Mary Gilkerson – Sjaak Korsten

Kees Salentijn

August 29 – September 9, 2008

Artists’ Reception: Friday, August 29, 2008, 5 – 10 p.m.

Opening Hours:

Saturdays, 11 a.m. – 5 p.m.

Sundays, 1 – 5 p.m.

Weekdays, 11 a.m. – 7 p.m. and by appointment

For more information, contact Wim Roefs at if ART:

(803) 238-2351/255-0068 – wroefs@sc.rr.com

For its August – September exhibition, if ART presents at Gallery 80808/Vista Studios The Line According to Roland Albert, Mary Gilkerson, Sjaak Korsten & Kees Salentijn. German artist Albert will present mixed media, mostly wood-based sculptures, and Columbia’s Gilkerson, a new series of monotypes. Dutch painter Salentijn will show paintings, mixed media works on paper, painted ceramic plates, lithographs and silkscreens. Korsten, another Dutch artist, will show mixed media works on paper. Korsten has recently joined if ART Gallery, and the upcoming exhibition will be his first in the United States.

Albert (b. 1944) is a widely respected painter and sculptor in Germany. He is part of the artists’ exchange between Columbia and its German sister city of Kaiserslautern. Albert studied with the famous Greek-American sculptor Kosta Alex in Paris in 1964. In 1970, he graduated from the prestigious Munich Academy of Fine Arts. Albert’s work overall fits European post-World War II contemporary traditions. He shares Joseph Beuys’ love for rough and unfinished materials. Like Art Informel artists such as Spaniard Antoni Tapies and fellow German Emil Schumacher, Albert considers not just forms and shapes important but also the tactile and physical quality of his materials.

Gilkerson (b. 1958) has recently completed monotypes for her Three River series based on Columbia’s Congaree, Saluda and Broad rivers. The sometimes strongly abstracted works are based on photos and drawings Gilkerson made earlier this year during walks along the riverbanks. Gilkerson for many years has been prominent on the art scene of the South Carolina Midlands as an artist, critic and curator. She teaches art at Columbia College in her hometown of Columbia. Gilkerson holds BFA, MA and MFA degrees from the University of South Carolina.

Korsten (b. 1957) is widely known and respected in the Netherlands. Not unlike Albert, he works in established post-World War II European modern and contemporary traditions. His work is related to Art Informel artists such as Tapies, Jaap Wagemaker, Wols, Jean Fautrier and Manalo Millares. Much of the focus in their work and that of Korsten is on materials and surface. While Korsten’s work is heavily abstracted, he typically includes representative elements. Korsten’s work has been shown at major European fairs, including TEFAF Maastricht, PAN Amsterdam and the Cologne Art Fair.

Salentijn (b. 1947) is among The Netherlands’ most prominent painters. The initial inspiration leading to his mature style came from post-war American art and from Spanish painters such as Tapies, Antonio Saura, and later Millares. Salentijn developed a personal style that combined the expressionist, painterly swath with smaller but equally expressionist marks that are quick and slightly nervous but sure. Combining vigorous painting with often-childlike imagery, Salentijn’s work eventually placed him in the Northern European, post-war CoBrA tradition of strongly expressionist, abstracted art that containes representational elements. Salentijn’s increased use of figuration in the 1990s confirmed this link. His work is in several European museums. In addition to the 1982 Chicago Art Fair, his work has been represented at major European art fairs, including Art Fair Basel, TEFAF Maastricht, Kunstmesse Cologne and KunstRAI Amsterdam.

Essay: Roland Albert

2008-08-19T16:39:00.000-04:00

Paar, 2003

Wood, sand, glue

5 ½ x 19 ¼ x 3 ½ in.

$ 650

ROLAND ALBERT

By Wim Roefs

Roland Albert’s often material-driven art that hovers between abstraction and figuration, between the natural and arranged worlds, between representing something and being something, and between material and psychological existence.

Albert’s work overall fits European post-World War II contemporary traditions. He shares Joseph Beuys’ love for rough and unfinished materials. Like Art Informel artists such as Spaniard Antoni Tapies and fellow German Emil Schumacher, Albert considers not just forms and shapes important but also the tactility and physical quality of his materials. He shares Paul Klee’s playfulness and back-and-forth between figuration and abstraction. His spontaneous impulse and some imagery relate to Jean Dubuffet and CoBrA painters such as Dutchmen Karel Appel and Corneille.

Combining the architectural with the natural in his sculpture links him to the 1960s German art group Zero, which included Otto Piene and Günther Uecker. Zero was part of a larger network of European artists, including the Dutch Nul Groep with Jan Schoonhoven and Armando, Lucio Fontana in Italy, Jean Tinguely and Arman in France and Tapies again. These artists practiced an art that started from scratch, historically, art historically, conceptually and often practically. In the wake of the human disaster that was Fascism and World War II, the artists sought a new beginning, independent of historical and art historical traditions. This included the incorporation of and a focus on non-traditional materials with an often minimalist, geometric or gestural, poetic and metaphysical approach that led to novel aesthetic results.

Albert molds paint and marks on surface, he says, rather than trying to depict things. He often blurs the boundaries between drawing and painting and painting and sculpting. Heavy application of dirt, plaster and stucco-like materials on his two-dimensional work can make it in effect three-dimensional. And sculpting to Albert is merely painting and drawing in space.

“I can’t really analyze my own work very well,” Albert says. “I don’t work very systematically but instead mostly follow my spontaneous inner drive.”

That spontaneous drive leads to the use of not just paint, canvas, bronze and other established media but whatever materials may cross Albert’s path. He draws with shellac or with a combination of glue and sand, including the reddish sand of the Kaiserslautern region. He sculpts with wood and corrugated cardboard. The surfaces of the sculptures in the current show are covered with a mix of glue and sand.

“Wood typically simply provides the armature to create a certain shape,” Albert says. “It’s often not that important for the look of the work. In addition to glue and sand, I use, for instance, paper and clothe to cover the wood.”

“My objects are based on everyday phenomena. The chair refers to human anatomy, character and temperament. The ladders are symbolic for ascending and descending, coming and going. Architecture represents living and mystique. In exploring the elements, I don’t shoot for representation but for new creations.”

EXHIBITION PREVIEW

2008-08-07T17:55:00.000-04:00

Preview of Roland Albert's work in if ART Gallery's August 29- September 9, 2008 exhibition The Line According To Albert, Gilkerson, Korsten, and Salentijn at Gallery 80808/Vista Studios, 808 Lady Street, Columbia, SC.

Biography: Roland Albert

2008-07-12T16:56:00.000-04:00

Stuhlkreis, 2006

Wood, sand, glue

30 ¾ x 5 ½ x 22 ¾ in.

$ 950

Roland Albert (b. 1944)

Roland Albert, a widely respected artist in his native Germany, is a fixture on the art scene of the state of Rhineland-Palatinate. He is part of the artists’ exchange between Columbia and its German sister city of Kaiserslautern. In that context, he has participated in several group exhibitions in Columbia in the past few years, including the 2001 Art Garage Project. His 2004 exhibition Sticky Stuff at Columbia’s Lewis + Clark Gallery was his first solo show in the United States. Albert has exhibited all over Europe and studied with the famous Greek-American sculptor Kosta Alex in Paris in 1964. In 1970, he graduated from the prestigious Munich Academy of Fine Arts.

The Inventory: February 15-26, 2008

2008-02-15T13:25:00.003-05:00

Torso 230302/3, 2002

Glue, sand mix on drawing board

11 x 8 in

$325

if ART

presents at

Gallery 80808/Vista Studios

808 Lady St., Columbia, S.C.

THE INVENTORY:

A Group Show of if ART artists

Feb. 15 – 26, 2008

Artists’ Reception: Friday, Feb. 15, 5 – 10 p.m.

Opening Hours:

Saturdays, 11 a.m. – 5 p.m.

Sundays, 1 – 5 p.m.

Weekdays, 11 a.m. – 7 p.m. and by appointment

For more information, contact Wim Roefs at if ART:

(803) 238-2351 – wroefs@sc.rr.com

For its February exhibition, if ART presents The Inventory, a group exhibition of artists from if ART Gallery. The show will consist of many new works by if ART artists as well as older pieces from the gallery’s inventory.

Included in the show will be work by Columbia artists Jeff Donovan, Mary Gilkerson, Marcelo Novo, Anna Redwine and David Yaghjian. Other South Carolina artists include Carl Blair, Jeri Burdick, Phil Garrett, Bill Jackson, Peter Lenzo, Dorothy Netherland, Matt Overend, Edward Rice, Tom Stanley, Christine Tedesco, H. Brown Thornton, Leo Twiggs, Katie Walker and Paul Yanko. Furthermore, the show will present work by former South Carolina residents Tonya Gregg, Eric Miller and Andy Moon. Also included are California collage artist Jerry Harris, Dutch painter Kees Salentijn and German artists Roland Albert, Klaus Hartmann and Silvia Rudolf.

Kleinformat/Small Format: October 26- November 12, 2007

2007-11-08T18:47:00.000-05:00

(To enlarge, click on image above.)

Kleinformat/Small Format: The Columbia - Kaiserslautern Exchange is currently showing at if ART Gallery, 1223 Lincoln Street. This exhibition runs from Friday, October 26 until Tuesday, November 13, 2007 and included an opening reception on Friday, October 26 from 5 - 10 PM. Additional hours are: Weekdays from 11 AM until 7 PM and Saturdays from 11 AM until 5 PM. The exhibit features work by five South Carolinians (Mary Gilkerson, H. Brown Thornton, Stephen Chesley, Mike Williams, and Tonya Gregg) and five Germans from Columbia's sister city, Kaiserslautern (Silvia Rudolf, Roland Albert, Reiner Mahrlein, Ralph Gelbert and Klaus Hartmann).

if ART Gallery Opening

2006-11-12T17:05:00.000-05:00

Tier 221003/2 (Sich Unwended)(Animal 221003/2 (Turning Around)), 2002

Glue, sand mix on drawing board

11 x 8 in

$325

OPEN NOW:

if ART Gallery

1223 Lincoln St.

Columbia, S.C.

Gallery Hours:

Most days, except Sunday, from 11:00 AM – 7:00 PM

& by appointment (call 803-238-2351)

For more information, contact Wim Roefs at if ART

(803) 238-2351 – wroefs@sc.rr.com

On Nov. 10, 2006, if ART, International Fine Art Services, opened if ART Gallery. The gallery is at 1223 Lincoln St., Columbia, S.C., in the Vista district, across from the Blue Marlin restaurant. For more information, contact if ART’s Wim Roefs at (803) 238-2351 or wroefs@sc.rr.com.

If ART Gallery carries the work of South Carolina artists Leo Twiggs, Mike Williams, Carl Blair, Tom Stanley, Virginia Scotchie, Tonya Gregg, Peter Lenzo, Jeff Donovan, David Yaghjian, Anna Redwine, John Monteith, Christine Tedesco, Brown Thornton, Paul Yanko, Laura Spong, Steven Chapp, Katie Walker, Edward Rice, Aaron Baldwin, Bill Jackson, Herb Parker, Dorothy Netherland, Eric Miller, Mary Gilkerson, Matt Overend, Kim Keats and Phil Garrett. The gallery also carries work by Dutch artist Kees Salentijn, German artists Reiner Mahrlein, Roland Albert and Klaus Hartmann, and Washington Color Field painter Paul Reed.

The gallery also carries a wide selection of unframed and lithographs, silkscreens, etchings and other limited edition prints by such nationally and even internationally prominent artists such as Karel Appel, Richard Hunt, Bram van Velde, John Hultberg, Sam Middleton, Benny Andrews, Hannes Postma, Corneille, Lucebert and Alvin Hollingsworth.

Since March 2005, if ART, International Fine Art Services, has organized commercial gallery exhibitions in Columbia, mostly at Vista Studios/Gallery 80808. In addition to presenting gallery artists and special exhibitions at if ART Gallery, if ART will continue to organize exhibitions at Vista Studios/Gallery 80808. The company also provides curatorial and exhibition design services.

Most recently, in September, if ART was hired by the Technical College of the Lowcountry to install dozens of art works at the college’s new building in Bluffton, S.C. Earlier this year, if ART installed two exhibitions of work from the South Carolina state art collection at the Sumter (S.C.) Gallery of Art. The if ART production “South Carolina Birds: A Fine Art Exhibition,” curated by company owner Wim Roefs, is at the Pickens County Museum of Art & History until Nov. 11, 2006. The exhibition opened in 2004 at the Sumter Gallery of Art and traveled to the Burroughs & Chapin Museum in Myrtle Beach, S.C., and the City Gallery at Waterfront Park in Charleston, S.C. Roefs wrote the essay for the exhibition catalogue, which he also edited.

In 2005, Roefs curated exhibitions of work by Leo Twiggs and Carl Blair for the Fine Arts Center of Kershaw County in Camden, S.C. He also curated an exhibition of paintings by Marcelo Novo for HoFP Gallery in Columbia, S.C., and wrote the essay for the exhibition catalogue. Earlier this year, Roefs curated an exhibition with work by Dutch artist Kees Salentijn for the Center of the Arts in Rock Hill, S.C. In May, he curated an indoors/outdoors sculpture exhibition for the city of Dillon, S.C.

Roefs contributed an essay to the catalogue for the exhibition “A Collection for Margaret: The Personal and Private Art of Carl Blair.” The exhibition is on view at Hampton III Gallery in Greenville until Nov. 11. Roefs teaches a course in African-American art at the University of South Carolina.

Since March 2005, if ART has published eight small exhibition catalogues. The catalogues featured short essays by Roefs about Aaron Baldwin, Mike Williams, Anna Redwine, Tom Stanley, Carl Blair, Janet Orselli, Matt Overend, Laura Spong, Leo Twiggs, Jeff Donovan, John Monteith, Dorothy Netherland, Herb Parker and Phil Garrett and Mary Gilkerson and the process of making monotypes.

SOLD WORKS OF ART

2005-09-27T18:32:00.009-04:00

Fragment 221006 (Fragment 221006), 2006
Sand and glue on cardboard
12 x 8 in.
$ 275

Essay: Roland Albert

2004-04-30T13:43:00.001-04:00

ROLAND ALBERT (German, b. 1944)

STICKY STUFF

By Wim Roefs

Roland Albert is a widely respected painter and sculptor in Germany. “Sticky Stuff” is his first solo show in the United States. The work at Lewis and Clark fits Albert’s often material-driven art that hovers between abstraction and figuration, between the natural and arranged worlds, between representing something and being something, and between material and psychological existence. For the work here, Albert used shellac to draw stick animals and a glue-and-soil mix to make quick, thick marks that suggest torsos.

Albert is part of the artists’ exchange between Columbia and its German sister city of Kaiserslautern. As part of the exchange, he has participated in group exhibitions in Columbia, including the 2001-03 Art Garage Project. Albert studied with the famous Greek-American sculptor Kosta Alex in Paris in 1964. In 1970, he graduated from the prestigious Munich Academy of Fine Arts.

“I can’t really analyze my own work very well,” Albert says. “I don’t work very systematically but instead mostly follow my spontaneous inner drive.”